Clik here to view.
Clik here to view.
Stochastic gradient descent
Stochastic gradient ascent algorithm, using different step sizes, for computing parameters to a linear model with least mean squared error. Plotted used Octave for a statistics assignment. I thought...
View ArticleClik here to view.
Clik here to view.
Clik here to view.
Untitled collaboration with Jeff Hammel
My friend Jeff Hammel and I invented a game a while ago. The game was this: One player emails the other a PNG file The other person edits it and sends it back Repeat step 2 The picture above is the...
View ArticleClik here to view.
Clik here to view.
Clik here to view.
Clik here to view.
Selfie
I forgot my Instagram password and my phone broke last time I tried to use it anyway. I’m ok with that. I’ve been fascinated by optics since I was a kid. I don’t think I’ve ever gotten over the way...
View ArticleClik here to view.
Texture Study
I’ve been experimenting with algorithmic manipulation of images using Numpy and Matplotlib. I generated the texture for the above image using a couple scripts (1 2) before manipulating further in the...
View ArticleClik here to view.
done for envy
How many more lost causes are there left to lose? So many Would you believe that every fight I’ve fought was done for envy? I’m gonna turn this ship around stop tacking in this wind I’ve lost the...
View ArticleClik here to view.
Clik here to view.
re: Cage
With works like Amores, In the Name of the Holocaust, and Imaginary Landscape #3, Cage aimed to manipulate sounds in such a way as to also manipulate the emotions of his listeners. Across the...
View ArticleClik here to view.
Clik here to view.
evolved noise
This is no ordinary noise pattern. It’s been generated through an ecological simulation. I’m rather proud of it.
View ArticleProtected: somebody has been reading this blog
This content is password protected. To view it please enter your password below: Password:
View Articlesurpassing post-modern art in timeless time
Art, it has been said, at its best is an expression of “the age” (era, epoch), not the individual artist. Walter Benjamin and Kandinsky for example have had this opinion. This may be a retroactive...
View ArticleClik here to view.
simulation output 4*
This is the output from a buggy version of Simulation 4, which turned out to be truer to the purpose of the simulation than the original design.
View ArticleClik here to view.
